我为 Genesis 8 女性角色设计的爱德华时代风格发型

爱德华时代的发型以其柔和华丽、优雅大方为特点。发型从颈部向上梳理至头顶，最后扎成一个发髻，饰以卷发或花束。这种发型既可用于历史题材的画面，也能用于现代场景中，比如女性身着高级时装时的造型。 为了增加灵活性，头发被分成了不同的部分。根据人物相对于镜头的位置，可以有选择地隐藏某些部分，比如发髻或后脑勺的刘海。 模型中提供了多种变形选项，可让头发更蓬松，或将其形状改为更圆润的造型。此外，还有用于卷曲刘海或将其拉直的变形选项，以及控制后脑勺刘海和发髻大小的选项。用户还能调整头发纤维的粗细程度。模型提供了多种头发和花朵颜色，方便用户进行个性化定制。 这款采用 ZBrush FiberMesh 技术打造的逼真发型，如果同时启用所有提供的组件（包括可选组件），可能会对电脑资源造成较大压力，并延长渲染时间。为帮助资源有限的用户，除了将不同层次的头发模块化外，还提供了两种顶部发髻样式，其中标注为 HR 的发髻对资源消耗较大。此外，模型还提供了顶部玫瑰花束装饰，其资源占用较低，可替代发髻。在处理场景中的头发时，建议关闭 Iray 视口，只在必要时偶尔开启

Edwardian hairstyles are characterized by their soft opulence and elegance. They are combed upward from the neck to the top, ending in a bun with curls or a bouquet of flowers. This hairstyle can be used in historical images or in modern scenes when the ladies are wearing high fashion clothes. For flexibility, the hair has been divided into different components that depending on the position of the character in relation to the camera could be selectively concealed, as in the case of the bun or the fringe on the back of the head. Several morphs are provided to make the hair larger or change the shape to a more rounded look. Also there are morphs to curl the hair bangs or make them straight and to control the back fringe and the size of the buns. There are also options to control the thickness of the hair fibers. Many hair and flower colors are provided to allow you to customize their look. This realistic hair created with ZBrush FiberMesh technology may require a greater use of your machine's resources and / or more rendering time if all the components provided, including the optional ones, are added. To help those users with computers that have fewer resources, in addition to having the different layers of hair separated in modules, two types of bun for the top have also been provided, being the one identified with the acronym HR the one that consumes a little more of resources. A bouquet of roses for the top of the head has also been provided, it consumes less resources and can replace the hair buns. It is advisable to have the Iray viewport turned off while working the hair on the scene and only turn it on occasionally as needed.